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Regan Tamanui is an artist based in Melbourne, Australia. In October 2000, he founded the Melbourne Stuckists, the fourth Stuckism of the original Stuckist groups and the first outside the United Kingdom. He has also painted prolifically as a under the tag name HA-HA.
Besides Tamanui, the other initial members of the Melbourne group were Justin Grub, Ben Blanchette, Malcome Mmackie and Dave Freeman Rose. A subsequent line-up was Basil Kouvelis, Justin Grubb, Ben Frost, Nigel Stein, Daniel Gorzadek, Stephen Sperling and Dennis Roper. Tamanui expressed his and the group's artistic philosophy:
In May 2001, Tamanui, Stein, Grubb and Kouvelis were represented with 24 international groups in the London show Vote Stuckist, so named because Stuckist co-founder, Charles Thomson, was standing as a candidate in the 2001 United Kingdom general election against the then-Culture Secretary, Chris Smith.
In November 2001, the Melbourne Stuckists staged a show Houdini to Hofmann at the Chiara Goya Gallery, which included some UK Stuckist work for the first time.
Kaye Blum made a short documentary on the group, Art Gets Unstuck. The film is structured around the artists reading lines from the Stuckists Art manifesto written by Charles Thomson and Billy Childish. It was first shown at the Jaffas Down the Aisle film festival in Melbourne in October 2001, then in 2002 at the International Film Festival of Fine Art in Hungary and the Asolo Arts Film Festival in Italy, where it was nominated for best student short.
In July 2002, Tamanui, along with other Australian Stuckists was shown at The First Stuckist International, the inaugural show of the Stuckism International Gallery, Shoreditch, London. The show also included Godfrey Blow who had followed Tamanui's lead and founded a Perth Stuckists group.
In October 2002, Tamanui opened the Stuckism International Centre Australia, with an ongoing exhibition of work, as well as the first international Stuckist show in Australia, Stuck Down South, at the FAD Gallery. This included founding Stuckists, Thomson, Ella Guru and Sexton Ming. (Like the London gallery it has now ceased operating.)
In March 2003, Tamanui was exhibited in Stuck in Wednesbury, the Stuckists' first show in a public gallery, held in Wednesbury Museum and Art Gallery, England.
Since 2004, Tamanui has been represented by Criterion Gallery in Hobart. He has made a successful transition to the commercial gallery arena, with art collectors increasingly interested in his street inspired stencilling. Tamanui's work can be found in the collection of BHP, the State Library Victoria, the City of Melbourne, Artbank, and the National Gallery of Australia, who purchased a number of works for their permanent collection.
The participation of the Australian Stuckists in the London Vote Stuckist show in 2001 occasioned a double page spread in the leading Melbourne paper The Age. Tamanui's initiative in speaking out provoked a similar range of reactions to the ones the UK group had received in Britain. Melbourne painter David Larwill said, "It's the best thing I've heard in ages." Max Delaney, director of public gallery 200 Gertrude Street, accused the Melbourne group of "revisionism" and "publicity and marketing". Su Baker, head of the School of Art, Victorian College of the Arts, wrote it off as "a cheap shot" (the same accusation which Sir Nicholas Serota had levelled at Thomson in London.2001 "Serota Tells off the Stuckist" stuckism.com 4 June 2001. Accessed 16 April 2006 Melbourne curator, Juliana Engberg, said, "They are an aberrant version of conceptualism by default, using the same devices to promote something that's very conservative."
Four years later, in April 2005 The Age ran a reprise of Stuckism and observed:
Stuckism
The Stuckists are a radical pro-painting group and are anti-conceptual art. The movement was started by Charles Thomson and Billy Childish (who has since left) in the United Kingdom in 1999 with eleven other artists and is now an international movement. They are noted for their "Agitprop" against the Turner Prize and Britart.
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